New Vatican thriller "Conclave" ignites Oscar buzz
The pope has passed away, and the conclave convenes. The stakes are exceedingly high within the Catholic Church as a tense game of appearances, factions, arguments, and intrigue unfolds, akin to a finely played chess match. A new thriller based on a bestselling novel is garnering outstanding reviews from critics, with whispers of Oscar nominations already in the air.
"Conclave" is a political thriller set within the Vatican. Following the pope's death, cardinals from across the globe gathered to elect the person who would ascend to the papal throne. Theoretically, they should be guided by the Holy Spirit; however, the reality may differ. The games and manoeuvrings commence, with dirt being unearthed and opponents undermined. Two factions have formed: conservative and progressive, each championing its own candidate. The results of the first vote make it clear: this conclave will not conclude quickly.
"Conclave" is adapted from a bestselling novel by Robert Harris, whose works have inspired films like "The Ghost Writer" and "Enigma". Directed by Edward Berger, who has been Oscar-nominated twice and won the award for "All Quiet on the Western Front" in 2022, the film features a script by Peter Straughan, known for works such as "Frank" and "Tinker Tailor Soldier Spy" with Gary Oldman. The film boasts an exceptional cast, with Ralph Fiennes, Stanley Tucci, and John Lithgow portraying cardinals. Isabella Rossellini stars as a nun overseeing the residence where cardinals stay during the conclave.
"Conclave". Critics' enthusiasm
The film has already been previewed by select journalists and critics, who unanimously praise "Conclave" as a triumph. There's a discussion of yet another nomination for Berger, emphasising Ralph Fiennes' potential accolade due to his nuanced portrayal of a cardinal in a crisis of faith. Vanity Fair describes "Conclave" as a "compelling papal thriller", while The Guardian refers to it as a "juicy adaptation". According to Vulture, "Amid such stately ceremony, Berger finds ways to insert gradually escalating tumult and cattiness." The Hollywood Reporter highlights that the film shows "behind-the-scenes machinations involved in choosing a new pope after the death of the previous pontiff."
